Category: All posts


Voor jou oë breek die son

Voor jou oë wil als begin

Oer is die wêreld

Met vis wat na die son opspring

Dei reën hou jou vas

De reën maak jou seer

Jy word ’n mens

Wat nooit weer terug kon keer

Asof die reën jou optel

Asof die reën jou ruik

De reën jou hou

Asof die reën jou keel gebruik

Al langs jou dy snuif de reën

Al langs jou borst glinster dit

Met jou hele lyf

Hoor jy die oerknalle klink

Êrens sif lig deur

Êrens voor…

Êrens sif lig deur

Êrens voor …

Êrens kantel die reën met jou vooroor

Jy hou die reën se arms vas

Met jou rug teen sy maag

Jy is by die reën

As hy uit oor die aarde waag

Blindwit weerlig spat in klip

Die aarde prut met vuur

Blindwit weerlig spat in klip

Die aarde prut met vuur

Uit die drif en skrop

Word basalt en graniet gepuur

Êrens sif lig deur

Êrens voor…

Êrens sif lig deur

Êrens voor…

Êrens kantel die reën met jou vooroor

pythia8klein

Detail of a new painting, with Gaia as the main character. The painting isn’t finished yet, but I think the face will do (although  it’s rather tricky, to show “work in progress”).

Out of her head (and eyes) DNA structures are “pouring out”. So see this as part One. There’s more to come!

And: “Die begin van die aarde”! (poem by Antjie Krog)

Oil on canvas, 70 x 90 cm (detail approximately 20 x 30 cm)

pythia8klein

This painting, 130 x 160 cm, oil on canvas, was made during the period I worked on the painting Evolution 1 (painting of decembre).

It consists of a lot of different layers. Sometimes even with the same color (red over red over red over red). This technique (called “glaceren” in Dutch) makes that the colors increase in depth (sort of a velvet texture).

It’s very difficult to catch this on camera. But belief me, when you’re in front of this one, it almost seems possible to stick your hand inside the painting.

This is an old technique, used for instance by Rembrandt van Rijn, the famous Dutch painter (see example).

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Pythia, oracle of Delphi

Two sketches, part of the Omphalos Project.

Ink on paper, 12 x 20 cm

 

First sketches, acrylic on paper

20 x 30 cm

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For this month, the painting Evolution 1 is in the picture.

It’s an oilpainting, 120 x 150 cm. Later more information.

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In the summer I visited Lisbon. And just two weeks ago I returned from Cumbria, Great Britain. I showed you some pictures of both regions.

During my visit to England, I watched not only the BBC news, but also BBC Alba. Alba is an ancient name for Scotland. And I saw, and heard, a lot of Gealic. And didn’t understood one word. My roommate was half Scottish, but he had the same problem. Not one word.

But how we loved that language!

Although it sounds rather ridiculousness, I really think there are links between Gaelic music and the Portugese Fado. Sang from the heart. The “pain”,  The rythm. The…

Amalia Rodrigues, Dulce Pontes, Kathleen MacInnes, Julie Fowlis,  Portugal, Scotland, Braga, Alba.

OPEN HOUSE (New chair, new studio!)

Recently I moved to a new studio. And instead of traveling 40 minutes, it only takes me 10 minutes now to get to my studio. Saves me a lot of time.

Therefore: OPEN HOUSE!

When: sunday 27th of september, from 12 -18 hrs

Where: Dovenetel 21, Apeldoorn, the Netherlands.

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Saatchi Art Gallery

I am also participating as an artist in the Saatchi Art Gallery.

http://www.saatchiart.com

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Lisbon has many faces. The rich history is everywhere. The big statues, the (mostly baroque) churches and the impressive squares. But also the “Avenida da Liberdade”. When you walk there, you’re in Paris. The picture of the Praca da Comércia I posted earlier, is a good example how once this city played a important role in the world.

And then there is the more modern, futuristic Lisbon. With great and new architecture.

Last but not least: the decline. On every corner labourers are trying to stop this. Renovation is all over the city. I stayed two weeks in Lisbon. The apartment above me was renovated. Amd  across our little street walls where demolished and other outer walls where painted.

And I just love this combination. A city is a living thing., has to change to keep up with society.

But do I agree with every change? No, I am afraid not. As an example: The changes they made to “Tor Belem” are terrible. It’s all about making money, attracting as much tourists as possible, whatever the costs.

By the way, do you know the famous painter De Chiroco? He was also here (well, at least in my mind. As you can see in the first two pictures.

The first one was made at Castello Sao Jorge.

The second one near a church, the Panthaon Nacional.

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Below two painting of De Chirico, a Greek/Italian painter

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